"[40] Several of the songs from the album have become jazz standards. Kind of Blue is a studio album by American jazz trumpeter Miles Davis. [76] The significant 1992 remaster corrected the original recording speed for side one, which had caused all prior releases to be slightly off-pitch. Consultez des crédits, des avis, des pistes et achetez la référence 2010 Vinyl de Kind Of Blue sur Discogs. It may be a stretch to say that if you don't like Kind of Blue, you don't like jazz — but it's hard to imagine it as anything other than a cornerstone of any jazz collection. After 1990. [8], The liner notes list Davis as author of all compositions, but many scholars and fans believe that Bill Evans wrote part or the whole of "Blue in Green" and "Flamenco Sketches". [61] In his book Kind of Blue: The Making of a Miles Davis Masterpiece, writer Ashley Kahn wrote "still acknowledged as the height of hip, four decades after it was recorded, Kind of Blue is the premier album of its era, jazz or otherwise. Most notable is the version from the classic Miles Davis Album "Kind of Blue", with personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums). [51] In selecting the album as number 12 on its 2003 list of the 500 greatest albums of all time, maintaining the rating in a 2012 revised list,[52] Rolling Stone magazine stated: "This painterly masterpiece is one of the most important, influential and popular albums in jazz". KIND OF BLUE: LEGACY EDITION by MILES DAVIS (88697 27105 2, originally issued August 17, 1959, as Columbia 8163) Disc One – Selections: 1. Throughout his career, certainly through the 1950s and '60s, Miles Davis was an instinctively brilliant recruiter; a large percentage of his sidemen went on to be great leaders, and these sidemen—especially Evans, Coltrane, and … [36][37][38] Music writer Chris Morris cited Kind of Blue as "the distillation of Davis's art. The same chord structure was later used by John Coltrane for his standard "Impressions". The recording session was also cited by Nisenson as Macero's first experience with "the highs and lows of working with Miles." Um dos melhores conjuntos já reunidos no jazz. View official tab. Le meilleur disque de jazz de tous les temps a 55 ans. You don't have to worry about changes and you can do more with the [melody] line. View credits, reviews, tracks and shop for the Vinyl release of Kind Of Blue on Discogs. 1 coup de cœur des Disquaires. Recorded March 2nd, 1959 in New York City, and released August 17th that same year, the album almost immediately became regarded as one of the greatest Jazz albums of all time, and continues to be the best-selling Jazz album to this day. [55] It is included in the 2005 book 1001 Albums You Must Hear Before You Die, described by reviewer Seth Jacobson as "a genre-defining moment in twentieth-century music, period.". Le compositeur de cette œuvre musicale est Miles Davis (aussi connu comme Miles Dewey Davis III). On some editions, the label switched the order for the two tracks on side two, "All Blues" and "Flamenco Sketches". from 1961. But even though the Kind of Blue sextet was short-lived, it yielded what is now the most universally known example of Davis’ work. I've listened to that album so many times that for the past couple of years, I haven't hardly listened to anything else. 3, Basic Miles: The Classic Performances of Miles Davis, Miles Davis Quintet: Freedom Jazz Dance: The Bootleg Series, Vol. [2], Modal jazz was not unique to this album. [1] This AABA structure puts it in the thirty-two-bar format of American popular song. [10]:90 Macero's first Davis production was his next record, Sketches of Spain.[10]:166. Miles Davis - Kind of Blue is possibly the finest jazz recording ever! Its vapory piano introduction is universally recognized". In addition, it reviews the importance of Davis as a musical creator and pioneer, and attempts to place ‘So … 1959. Most notable is the version from the classic Miles Davis Album "Kind of Blue", with personnel: Miles Davis (trumpet), John Coltrane (tenor saxophone), Julian "Cannonball" Adderley (alto saxophone), Bill Evans (piano), Paul Chambers (bass), and Jimmy Cobb (drums). Miles Davis — So What bass tabs. "[11] According to High Fidelity, "though his role in Kind of Blue has been disputed", the recording was "made under the auspices" of Macero. There have been multiple reissues of Kind of Blue, with additional pressings throughout the vinyl era. So Kind of Blue sounded different from the jazz that came before it. "[60] Pink Floyd keyboardist Richard Wright said that the chord progressions on the album influenced the structure of the introductory chords to the song "Breathe" on the album The Dark Side of the Moon (1973). Résumé; Détails produits; Garanties; Accessoires inclus; Interprète(s) Miles Davis: Date de parution: octobre … Perhaps to assuage the pianist's feelings, Davis had Kelly play instead of Evans on the album's most blues-oriented number, "Freddie Freeloader". Miles Davis; Kind of blue Miles Davis (Interprète) (Vinyle album) Paru le 16 octobre 2015. Miles, at this time, was in thrall to hard bop, but by 1958's Milestoneshe was ready to try the modal … None issued were at the correct speed. [21] This recording style contrasted with the typical preparation of providing musicians with the complete score or, for improvisational jazz, providing the musicians with a chord progression or series of harmonies. So What Miles Davis. "[63], Gary Burton, of Berklee College of Music, noted the consistent innovation present throughout the album, stating: "It wasn't just one tune that was a breakthrough, it was the whole record. “[But] more than just an album,” notes Lefevre. Long-serving bassist Chambers had been with the band from its beginning in 1955; alto saxophonist Adderley had joined in the fall of 1957, with tenor saxophonist Coltrane returning at the beginning of 1958; pianist Evans had replaced Red Garland in April 1958, but quit in November to be replaced in turn by Kelly; and drummer Cobb had been hired in May 1958. [62] Producer Quincy Jones, one of Davis's longtime friends, wrote: "That [Kind of Blue] will always be my music, man. [8], As was Davis's penchant, he called for almost no rehearsal and the musicians had little idea what they were to record. 2, Live at the Fillmore East, March 7, 1970: It's About that Time, Black Beauty: Miles Davis at Fillmore West, Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. It's over .... What I used to play with Bill Evans, all those different modes, and substitute chords, we had the energy then and we liked it. "[64] Along with Time Out by the Dave Brubeck Quartet (1959) and Coltrane's Giant Steps (1960), Kind of Blue has often been recommended by music writers as an introductory jazz album, for similar reasons: the music on both records is very melodic, and the relaxed quality of the songs makes the improvisation easy for listeners to follow, without sacrificing artistry or experimentation. Notice that when Miles Davis and the other cats on Kind of Blue play this song, they use those notes most of the time-but they DO NOT sound like they are playing scales at all. Since its release on August 17, 1959,[33] Kind of Blue has been regarded by critics as Davis's greatest work. Deux rééditions sont couramment rencontrées : celle-ci, fabriquée par DOL, qui est une société russe pressant ses disques en république tchèque et une autre, Columbia, propriété actuelle de Sony. So What (Live at Kurhaus, Den Haag, Holland - April 1960) Miles Davis. Author Unregistered. An orchestrated version by Gil Evans of this introduction is later to be found on a television broadcast given by Miles' first quintet (minus Cannonball Adderley who was ill that day) and the Gil Evans Orchestra; the orchestra gave the introduction, after which the quintet played the rest of "So What". Check out the tab » Backing track. The answer here is simple: the musicians. The answer here is simple: the musicians. There are two different compositions entitled "So What" performed by Miles Davis. As with all bebop-based jazz, Davis's groups improvised on the chord changes of a given song. [54] On December 16, 2009, the United States House of Representatives passed a resolution honoring the 50th anniversary of Kind of Blue and "reaffirming jazz as a national treasure". This first-take, unrehearsed Miles Davis session from 1959 is a true masterpiece. Recorded in 1959 with a legendary band featuring John Coltrane, Julian "Cannonball" Adderley, Paul Chambers, Jimmy Cobb, Wynton Kelly, Bill Evans. Find more tracks by MILES DAVIS - KIND OF BLUE (Blue Vinyl) and more releases on 20TH … [6], Kind of Blue was recorded on three-track tape in two sessions at Columbia Records' 30th Street Studio in New York City. This arrangement was later performed and recorded as part of the album Miles Davis at Carnegie Hall. It was Miles Davis showing the jazz scene what was possible when you started to think of the genre in new ways. That trio stayed with Davis for the recordings Someday My Prince Will Come[70] and the live sets at the Blackhawk and at Carnegie Hall. 'So What' was the second track to Miles Davis masterpiece Jazz album "Kind Of Blue". There is also a repress (Miles Davis - Kind Of Blue) with labels that show "CBS" (CBS) in the upper center area, but are otherwise very similar to the Columbia '6-eye' labels on this version. Label: Columbia - 88697 33552 2,Legacy - 88697 33552 2 • Format: Box Set Album, Limited Edition, Reissue, Remastered 2x, CD Album DVD DVD-Video, NTSC Vinyl LP, Album, Stereo Blue vinyl, 180gm • Country: US • Genre: Jazz • Style: Modal . Although improvisation takes up the majority of the piece, it does have a compelling riff that sets the piece in motion and sets up the stage harmonically for the improvisations. Catalogue number: 350202. In Davis's view, remaining static stylistically was the wrong option.[73]. Miles could pick pianists: Evans would soon be followed by Herbie Hancock, and Davis’ musical direction shifted yet again. Download Pdf "So What" (Miles Davis)--opening "theme" ===== comp. Davis had made a rare post-1953 sideman appearance in 1958 on Adderley's Somethin' Else album; Evans and Adderley collaborated on the latter's LP Know What I Mean? "[8] Evans continued with an introduction concerning the modes used in each composition on the album. I think a movement in jazz is beginning away from the conventional string of chords ... there will be fewer chords but infinite possibilities as to what to do with them. [1] Davis was one of many jazz musicians growing dissatisfied with bebop, however, and saw its increasingly complex chord changes as hindering creativity. [22] Bill Evans assumed co-credit with Davis for "Blue in Green" when recording it on his Portrait in Jazz album and the Davis estate acknowledged Evans' authorship in 2002.[23]. It becomes a challenge to see how melodically innovative you can be. [13], *sales figures based on certification alone^shipments figures based on certification alonesales+streaming figures based on certification alone. While the results were impressive with so little preparation, the persistent legend that the entire album was recorded in one pass is untrue. 4,5 18 avis. Although improvisation takes up the majority of the piece, it does have a compelling riff that sets the piece in motion and sets up the stage harmonically for the improvisations. "[39] Kind of Blue has been lauded as one of the most influential albums in the history of jazz. Macero did not produce Davis until after Townsend took over West Coast production duties for Columbia Records, when Macero took his place. The first track was "So What" and the album became the best selling Jazz album of all time. For other songs, see. Why does Kind of Blue possess such a mystique? If Kind of Blue is not part of your collection yet, don’t hesitate and get it, it’s the best-selling jazz album ever. It is also counted by many as the greatest Jazz album of all time and ranks at or near the top of many "best album" lists. [4] Influenced by Russell's ideas, Davis implemented his first modal composition with the title track of his studio album Milestones (1958). The soloist had the option of taking a breath. 1, Live in Europe 1969: The Bootleg Series Vol. Here is the theme of So What, from the Miles Davis album Kind of Blue. 4, Miles Davis & John Coltrane The Final Tour: The Bootleg Series, Vol. Download Pdf "So What" (Miles Davis)--opening "theme" ===== comp. Notice that when Miles Davis and the other cats on Kind of Blue play this song, they use those notes most of the time-but they DO NOT sound like they are playing scales at all. [42] Though Davis and Coleman both offered alternatives to the rigid rules of bebop, Davis would never reconcile himself to Coleman's free jazz innovations, although he would incorporate musicians amenable to Coleman's ideas with his great quintet of the mid-1960s, and offer his own version of "free" playing with his jazz fusion outfits in the 1970s. It was recorded by Miles Davis in 2 days giving only brief instructions to a new band - yet all tracks were recorded in one take. Flamenco Sketches (alternate take) (C) • 7. Interview to Shirley Horn. "[21] In a 1958 interview with Nat Hentoff of The Jazz Review, Davis elaborated on this form of composition in contrast to the chord progression predominant in bebop, stating, No chords ... gives you a lot more freedom and space to hear things. Label: Columbia - 88697 33552 … 1 contributor total, last edit on Oct 26, 2016. So What (Miles Davis - Kind of Blue) Partitions. Kind of Blue is consistently ranked among the greatest albums of all time. Early Charlie Parker records were like this. 2, Live at the Fillmore East, March 7, 1970: It's About that Time, Black Beauty: Miles Davis at Fillmore West, Miles at the Fillmore – Miles Davis 1970: The Bootleg Series Vol. Artiste et Compositeur: Miles Davis (aussi connu comme Miles Dewey Davis III) La musique de So What est disponible ci-dessous. The album was released in other audio formats, which are only available second hand. personnel: Miles Davis, trumpet; John Coltrane, tenor sax; Cannonball Adderley, alto sax; Bill Evans, piano; Paul Chambers, bass; Jimmy Cobb, drums. Sides one and two were combined as tracks 1–5 on CD reissues. [44], According to Acclaimed Music, Kind of Blue is the 49th most ranked record on critics' all-time lists. Miles Davis & Bill Evans (from _Kind_of_Blue_, … [7] Once the musicians were assembled, Davis gave brief instructions for each piece and then set to taping the sextet in studio. [10]:195 The 1997 MiniDisc reissue credited both Townsend and Macero,[15] but the subsequent 1997,[16] 1999,[17] 2004,[18] 2008,[19] and 2015[20] reissues all correctly credit only Townsend. date: 1958 style: modal jazz form: 32-bar AABA. Ancrant le jazz dans la modalité, le titre « So What » de Miles Davis, enregistré pour la première fois en 1959 sur l’album Kind of Blue, marque l’histoire par son minimalisme et sa simplicité. The piano-and-bass introduction for the piece was written by Gil Evans for Bill Evans (no relation) and Paul Chambers on Kind of Blue. [76] A two-disc CD box set "50th Anniversary Collector's Edition" was released on September 30, 2008, by Columbia and Legacy.[79]. 5, The Complete Columbia Recordings of Miles Davis with John Coltrane, Miles Davis & Gil Evans: The Complete Columbia Studio Recordings, Seven Steps: The Complete Columbia Recordings of Miles Davis 1963–1964, The Complete Studio Recordings of The Miles Davis Quintet 1965–1968, In Person Friday and Saturday Nights at the Blackhawk, Complete, Miles Davis: The Complete Columbia Album Collection, Panthalassa: The Music of Miles Davis 1969–1974, Miles! [46] It has been ranked at or near the top of numerous "best album" lists in disparate genres. [9], Kind of Blue was produced by Columbia staff producer Irving Townsend. MILES DAVIS - KIND OF BLUE (Blue Vinyl) - So What / Freddie Freeloader / Blue In Green / All Blues / Flamenco Sketches / Blue In Green (Bill Evans Trio - bonus track) (***NOTE : THIS IS A PRE-ORDER ITEM***). It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. Quand Miles Davis retrouve, en 1954, Thelonious Monk, Milt Jackson, Percy Heath et Kenny Clarke pour interpréter de mémorables The Man I Love ou Bag's Groove, l'indifférence est encore totale.C'est au premier festival de jazz de Newport (1955) que le public redécouvre enfin ce musicien lunaire. Blue in Green (B) • 4. If you are new to jazz you cannot go wrong with this fabulous album by Miles Davis. "Blue in Green" consists of a ten-measure cycle following a short four-measure introduction. [7], Pianist Wynton Kelly may not have been happy to see the man he replaced, Bill Evans, back in his old seat. 1 contributor total, last edit on Oct 26, 2016. "So What" is the first track on the 1959 album Kind of Blue by American trumpeter Miles Davis. So What tab by Miles Davis. When Shirley Horn insisted, in 1990, that Davis reconsider playing the gentle ballads and modal tunes of his Kind of Blue period, he demurred: "Nah, it hurts my lip. Tonebridge. So What Lyrics: Released in 1959 as the first track of Miles Davis’s quintessential album Kind of Blue, “So What” is a relatively simple blues jazz piece.. Abandoning the traditional major and minor key relationships, the Lydian Chromatic Concept introduced the idea of chord/scale unity and was the first theory to explore the vertical relationship between chords and scales, as well as the only original theory to come from jazz. So Kind of Blue sounded different from the jazz that came before it. Mort de Jimmy Cobb, dernier témoin de «Kind of Blue» de Miles Davis. Trumpeter/band leader/composer Miles Davis assembled a sextet of legendary players to create a sublime atmospheric masterpiece. Pour voir la partition de So What, veuillez cliquer sur l'icône située à côté de l'arrangement qui vous … 'So What' was the second track to Miles Davis masterpiece Jazz album "Kind Of Blue". [10]:195 However, over the years there has been confusion, with Davis's subsequent producer Teo Macero getting partial or full credit. Miles Davis & Bill Evans (from _Kind_of_Blue… The album has been remastered many times during the compact disc era, including in 1982 by CBS/Sony Japan catalog number 35DP 62 and the 1986 Columbia Jazz Masterpieces reissue. Credits are taken from the album's liner notes. Fifty years after its release, Kind of Blue continues to transport listeners to a realm all its own while inspiring musicians to create to new sounds—from acoustic jazz to post-modern ambient—in every genre imaginable. "Flamenco Sketches" consists of five scales, which are each played "as long as the soloist wishes until he has completed the series". “ Kind of Blue was a statement. referencing Kind Of Blue, 2x12", Album, RE, RM, 180 + Box, Ltd, Num, S/Editi, MFSL 2-45011, 88697943631 Got 3 incorrect box sets before receiving a 4th. [7] The five master takes issued, however, were the only other complete takes; an insert for the ending to "Freddie Freeloader" was recorded, but was not used for release or on the issues of Kind of Blue prior to the 1997 reissue. But I have no feel for it anymore—it's more like warmed-over turkey. The distinctive voicing employed by Bill Evans for the chords that interject the head, from the bottom up three notes at intervals of a perfect fourth followed by a major third, has been given the name "So What chord" by such theorists as Mark Levine. While the track is taken at a very moderate tempo on Kind of Blue, it is played at an extremely fast tempo on later live recordings by the quintet, such as Four & More. Long held as the jazz album that even non-jazz fans will own, Kind Of Blue not only changed the way people regarded Miles, it changed the very face … It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records. [7] The live album Miles Davis at Newport 1958 documents this band. Kind of Blue has been regarded by many critics as the greatest jazz record, Davis's masterpiece, and one of the best albums of all time. In that sense the album was a continuation of [43] The influence of Kind of Blue did build, and all of the sidemen from the album went on to achieve success on their own. The 3 incorrect ones had MoFi edition pressings of “The Cars Shake it Up” as the second record instead of the second record in the Miles … Larkin described it as "the greatest jazz album in the world". Freddie Freeloader – studio sequence 1 (B) • 8. [2], In 1953, the pianist George Russell published his Lydian Chromatic Concept of Tonal Organization,[3] which offered an alternative to the practice of improvisation based on chords and chord changes. But with Kind of Blue [the sextet] all sound like they're fully into it. Kind of Blue is based entirely on modality, diverging from Davis's earlier hard bop style of jazz with its complex chord progression and improvisation. [56] It was voted number 14 in Colin Larkin's All Time Top 1000 Albums 3rd Edition (2000). [53] The rating descended to number 31 in Rolling Stone's revised list in 2020. When you're based on chords, you know at the end of 32 bars that the chords have run out and there's nothing to do but repeat what you've just done—with variations. View official tab. 'Considering Genius', by Stanley Crouch, page 99, "Miles Davis Jazz Trumpet Solo Transcription and Analysis", Miles Davis at Newport 1955–1975: The Bootleg Series Vol. [41] In a review of the album, AllMusic senior editor Stephen Thomas Erlewine stated: Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album, a universally acknowledged standard of excellence. "[66] Renowned hip-hop artist and rapper Q-Tip reaffirmed the album's reputation and influence when discussing the significance of Kind of Blue, stating "It's like the Bible—you just have one in your house. Miles Davis LP Kind of blue. Découvrez ou redécouvrez ce classique sur les rééditions vinyles de ‘‘La Sélection Fnac’’. So What is one of the best examples of modal jazz music. 1, Live in Europe 1969: The Bootleg Series Vol. The album was one of fifty recordings chosen in 2002 by the Library of Congress to be added to the National Recording Registry, and in 2003 it was ranked number 12 on Rolling Stone magazine's list of the 500 greatest albums of all time. The frantic and unpolished roar of flat-four and bebop was being transformed into a polished, craftsman sound. That’s why we study solo transcriptions-so we can hear better … It is his most acclaimed album, and has been cited as the best-selling jazz record ever released,[34][35] despite later claims attributing the achievement to Davis's first gold record Bitches Brew (1970). In basing Kind of Blue entirely on modality, he gave each performer a set of scales that encompassed the parameters of their improvisation and style, and consequently more creative freedom with melodies. Because Bluescentric cares about the music, every sale benefits Miles' estate. It appears on Miles Davis' best selling album Kind of Blue. Available to buy on Vinyl Record. Bill Evans (who wrote a number of the tunes … [65] Upon the release of the 50th anniversary collector's edition of the album, a columnist for All About Jazz stated "Kind of Blue heralded the arrival of a revolutionary new American music, a post-bebop modal jazz structured around simple scales and melodic improvisation. It appears on Miles Davis' best selling album Kind of Blue. Recordings, The Heavyweight Champion: The Complete Atlantic Recordings, Trane Tracks: The Legacy of John Coltrane, Chasing Trane: The John Coltrane Documentary, Before John Was a Jazz Giant: A Song of John Coltrane, In the Land of Hi-Fi with Julian Cannonball Adderley, Cannonball Adderley's Fiddler on the Roof, The Cannonball Adderley Quintet & Orchestra, The Cannonball Adderley Quintet in San Francisco, The Cannonball Adderley Quintet at the Lighthouse, The Cannonball Adderley Sextet in New York, https://en.wikipedia.org/w/index.php?title=Kind_of_Blue&oldid=1004739473, Albums recorded at CBS 30th Street Studio, United States National Recording Registry recordings, Short description is different from Wikidata, Album articles lacking alt text for covers, Certification Table Entry usages for Australia, Pages using certification Table Entry with shipments figures, Certification Table Entry usages for Belgium, Pages using certification Table Entry with sales figures, Certification Table Entry usages for Denmark, Certification Table Entry usages for France, Certification Table Entry usages for Italy, Certification Table Entry usages for Netherlands, Certification Table Entry usages of salesamount without salesref, Certification Table Entry usages for Poland, Pages using certification Table Entry with streaming figures, Certification Table Entry usages for United Kingdom, Certification Table Entry usages for United States, Pages using certification Table Entry with sales footnote, Pages using certification Table Entry with shipments footnote, Pages using certification Table Entry with streaming footnote, Wikipedia articles with MusicBrainz release group identifiers, Wikipedia articles with WorldCat-VIAF identifiers, Creative Commons Attribution-ShareAlike License. Kind of Blue is a studio album by American jazz trumpeter-composer Miles Davis.It was recorded on March 2 and April 22, 1959, at Columbia's 30th Street Studio in New York City, and released on August 17 of that year by Columbia Records.For the recording, Davis led a sextet featuring saxophonists John Coltrane and Julian "Cannonball" Adderley, pianist Bill Evans, bassist Paul … “The powerful … When new jazz styles come along, the first few attempts to do it are usually kind of shaky. The speed error is explained in the booklet with the post-1997 remaster: the off-speed master was used for all prior releases. Recorded March 2nd, 1959 in New York City, and released August 17th that same year, the album almost immediately became regarded as one of the greatest Jazz … Download Miles Davis - Kind of Blue | So What,Freddie Freeloader,Blue in Green,All Blues,Flamenco Sketches,Flamenco Sketches Alternate Take flac album All Blues (C) • 5. Released in 1959 as the first track of Miles Davis’s quintessential album Kind of Blue, “So What” is a relatively simple blues jazz piece. Flamenco Sketches (C) • 6. Play what you hear! "In the case of Kind of Blue there were two producers: Teo Macero and Irving Townsend", said jazz historian Eric Nisenson. This page was last edited on 4 February 2021, at 03:23. Freddie Freeloader (B) • 3. In part owing to Evans' joini… When you visit any website, it may store or retrieve information on your browser, mostly in the form of cookies. 0:00 The bass ascends, prompting a two-note … So What (B) • 2. Quoted in Ashley Kahn. Faixa 1 do lendário disco de Miles Davis gravado em 1959. C'est la 2e qu'il faut absolument prendre, surtout que les prix sont quasiment similaires. However, the Newport Jazz Festival recording on July 3, 1958, reflects the band in its hard bop conception, the presence of Bill Evans only six weeks into his brief tenure in the Davis band notwithstanding, rather than the modal approach of Kind of Blue. [2] Modal composition, with its reliance on scales and modes, represented, as Davis called it,[2] "a return to melody. Perhaps because this music never flaunts its genius. It is one of the best known examples of modal jazz, set in the Dorian mode and consisting of 16 bars of D Dorian, followed by eight bars of E♭ Dorian and another eight of D Dorian. Was his next record, in both stereo miles davis kind of blue so what mono the frantic and unpolished roar of flat-four and bebop being! Ranked record on critics ' all-time lists is often cited as the jazz. 3Rd Edition ( 2000 ) ’ musical direction shifted yet again a sublime atmospheric masterpiece make melodies and. 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